Here's a very short excerpt from Andre Breton's Surrealist Manifesto - you'll find the full text here.
Everything is valid when it comes to obtaining the desired suddenness from certain associations. The pieces of paper that Picasso and Braque insert into their work have the same value as the introduction of a platitude into a literary analysis of the most rigorous sort. It is even permissible to entitle POEM what we get from the most random assemblage possible (observe, if you will, the syntax) of headlines and scraps of headlines cut out of the newspapers:
POEM
A burst of laughter
of sapphire in the island of Ceylon
The most beautiful straws
HAVE A FADED COLOR
UNDER THE LOCKS
on an isolated farm
FROM DAY TO DAY
the pleasant
grows worse
coffee
preaches for its saint
THE DAILY ARTISAN OF YOUR BEAUTY
MADAM,
a pair
of silk stockings
is not
A leap into space
A STAG
Love above all
Everything could be worked out so well
PARIS IS A BIG VILLAGE
Watch out for
the fire that covers
THE PRAYER
of fair weather
Know that
The ultraviolet rays
have finished their task
short and sweet
THE FIRST WHITE PAPER
OF CHANCE
Red will be
The wandering singer
WHERE IS HE?
in memory
in his house
AT THE SUITORS’ BALL
I do
as I dance
What people did, what they’re going to do
Fantastic; I realise that I may sound like the very worst it-was-better-way-back-when when I say this, but: the dadaists and surrealists pushed more boundaries than all the poets of the latter half of the twentieth century put together. Nothing we do, or think as 'modern' or 'original' would be possible without them. Even if the manifestos are wonderfully absurd.
ReplyDeleteYeah, can't beat a good bit of old school absurdism!
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